All the unkept promises if they are ever to be kept have to be kept today. All the unspoken words if you do not speak them today will never be spoken. The people, the ones you love and the ones who bore you to death, all the life you have in you to live with them, if you do not live it with them today will never be lived.

It is the first day because it has never been before and the last day because it will never be again. Be alive if you can all through this day today of your life. What's to be done? What's to be done?

Follow your feet. Put on the coffee. Start the orange juice, the bacon, the toast. Then go wake up your children and your wife. Think about the work of your hands, the book that of all conceivable things you have chosen to add to the world's pain. Live in the needs of the day.

Frederick BuechnerThe Alphabet of Grace


“Terroir has become a buzz word in English language wine literature. This lighthearted use disregards reverence for the land which is a critical, invisible element of the term. The true concept is not easily grasped but include the physical elements of the vineyard habitat – the vine, subsoil, siting, drainage, and microclimate. Beyond the measurable ecosystem, there is an additional dimension – the spiritual aspect that recognizes the joys, the heartbreaks, the pride, the sweat, and the frustrations of its history.”

James Wilson, Terroir: The Role of Geology, Climate, and Culture in the Making of French Wines





“The dominant story of our age, undoubtedly, is that of adultery and divorce. This is true both literally and figuratively: The dominant tendency of our age is the breaking of faith and the making of divisions among things that were once joined.

This story obviously must be told by somebody. Perhaps, in one form or another, it must be told (because it must be experienced) by everybody.

But how has it been told, and how ought it be told?

This is a critical question, but not a question merely for art criticism. The story can be told in a way that clarifies, that makes imaginable and compassionable, the suffering and the costs; or it can be told in a way that seems to grant and easy permission and absolution to adultery and divorce.

Can literature, for example, be written according to standards that are not merely literary?

Obviously it can. And it had better be.”

Wendell Berry, Life is a Miracle